Kendo, Iaido and all Sword Arts's topics - tribe.net

Highland Challenge 2010

Paul — Wed, 18 Nov 2009 17:38:03 GMT

Dear All,

Following hugely successful past events, the Highland Challenge 2010 is scheduled from Sunday 6th June through to Saturday 12th June, and open to all who are up for it.

What is it about? -

An entire week of martial training, physical challenges and social sessions, all in the glorious setting of the West Highlands of Scotland.
The challenge offers an opportunity to train hard, play hard, push yourself, discover, experience and enjoy, all in the purest environment Nature has to offer.
Moidart is a land rich in genuine Celtic cultural and combative legends. It still provides one of the most historic, inspiring and challenging training grounds available today.

This is the setting for the Highland Challenge.

The 2010 Challenge is all-inclusive, as course costs cover the following -

- Transport - Minibus to and from Edinburgh and around the various Highland training grounds.
- Accommodation - All participants are based at Glenuig Inn, Moidart (www.glenuig.com/) which serves as our base of operations for the week.
- Meals - Breakfast and lunches are included each day, as Highland air works up a rare appetite! Evening meals are available from Glenuig Inns quality range of local produce and cooking.
- Training - Six days of intense tuition in the traditional Highland weapons of quarterstaff, backsword, dirk and more! (weapons are supplied), all given in some of the most stunning locations, steeped in Scottish history and legend. All tuition is given by Mo. Paul Macdonald of the Macdonald Academy of Arms.

Each day consists of a morning challenge (details of which are not revealed until the day), a full afternoon of training at specific locations and naturally, an evening session, all for six days and seven nights straight!

This is as authentic as it gets, as we train on original Jacobite training grounds with traditional weapons and martial techniques.

It all adds up to one unforgettable adventure and experience.

The last Challenge saw participants arrive from throughout the UK, Norway, Canada and the US.
Dates are confirmed and booking is now open. Please note that places are strictly limited, so early booking is advised. Fortune Favours the Brave!

For further details, please contact Macdonald directly at macdonaldacademy@aol.com or on 0131 557 1510 (0044 131 557 1510 for int'l)

Yours Very Truly,

Paul Macdonald,
Macdonald Academy of Arms,
www.macdonaldarms.com

Check out http://forums.swordforum.com/showthread.php?t=93326
for info. with images of past Challenge events!

posted in Kendo, Iaido and all Sword Arts - 0 replies

Highland Challenge 2009

Paul — Wed, 17 Dec 2008 19:18:45 GMT

Dear All,

After one hugely successful 2008 event, the Highland Challenge 2009 is scheduled from the 31st May through to the 7th June, and open to all who are up for it.

What is it about? -

An entire week of martial training, physical challenges and social sessions, all in the glorious setting of the West Highlands of Scotland.
The challenge offers an opportunity to train hard, play hard, push yourself, discover, experience and enjoy, all in the purest environment Nature has to offer.
Moidart is a land rich in genuine Celtic cultural and combative legends. It still provides one of the most historic, inspiring and challenging training grounds available today.
This is the setting for the Highland Challenge.

The 2009 Challenge is all-inclusive, as course costs shall cover the following -
Transport - Minibus to and from Edinburgh and around the various Highland training grounds.
Accomodation - All participants are based at Glenuig Inn, Moidart (http://www.glenuig.com/) which serves as our base of operations for the week.
Meals - Breakfast, lunch and dinner is included each day, as Highland air works up a rare appetite!
Training - Six days of classes in the traditional Highland weapons of quarterstaff, backsword, dirk and more! (weapons are supplied), all given in some of the most stunning locations, steeped in Scottish history and legend. All tuition is given by Mo. Paul Macdonald of the Macdonald Academy of Arms.

Each day consists of a morning challenge (details of which are not revealed until the day), a full afternoon of training at specific locations and naturally, an evening session, all for six days and seven nights straight!

This is as authentic as it gets, as we train on original Jacobite training grounds with traditional weapons and martial techniques.

It all adds up to one unforgettable adventure and experience.

The 2008 Challenge saw participants arrive from throughout the UK, Norway, Canada and the US.
Dates are set and booking is now open. Please note that places are strictly limited, so early booking is advised.

Please contact Paul Macdonald directly for further details at macdonaldacademy@aol.com or on 0131 557 1510.

Yours Very Truly,

Paul Macdonald,
Macdonald Academy of Arms,
www.historicalfencing.org/Macdonaldacademy

Check out http://forums.swordforum.com/showthread.php?t=93326
for info. with images of past Challenge events!

posted in Kendo, Iaido and all Sword Arts - 3 replies

katana vs shinai size

kaio — Thu, 22 Jun 2006 04:45:40 GMT

I noticed a discrepancy between the length of the katana (average size at least) to that of the shinai. The shinai is usually longer. From what I could find, the standard length of a shinai is 3.9 shaku which is 121 cm, whereas a katana has a blade length averaging 75cm. Assuming a rather large tsuka (37cm), that still leaves the katana 9cm less than a shinai.
Even a katana considered "long" is about 115cm, still shorter than a shinai.

Why is that? Why would a sport modeled after japanese fencing purposely lenghten its standard length?

I got my figured from

http://www.pointgallery.com/sword/pages/katana.htm the unusually long katana, Hanwei Miyamoto at the bottom
http://en.wikipedia.org/wiki/Katana average lengths (I used the length of the tachi, as it corresponds more closely to the lengths of the other swords I found, a katana is supposedly even shorter)

http://www.legacyswords.com/gaijintosale.htm some very expensive swords, with lengths displayed

posted in Kendo, Iaido and all Sword Arts - 14 replies

Just something i found

Henry — Wed, 06 Aug 2008 00:48:40 GMT

has anyone used or seen one of these in action
http://www.unitedcutlery.com/products/united/uc1494.html

posted in Kendo, Iaido and all Sword Arts - 4 replies

Anthony DeLongis Seminar

Wed, 20 Sep 2006 18:03:09 GMT

October 27th and 28th with a lecture and demo on the evening of the
26th.

It will cover rapier, sabre , broadsword, and knife for the screen.
Students will have the option to perform a fight choreographed and
directed by Anthony for the camera. All the fights will then be put on
DVD and edited together for each student. This is your chance to have
Tony put together a fight for your own audition reel.

It will be two days long, and it is $250 per person, taking place in
Portland, OR.

Contact Kendall Wells
Kendallwells at lisco dot com
503-914-1312

posted in Kendo, Iaido and all Sword Arts - 1 reply

Japanese Classical Warrior Arts - new dojo openning in Portland , OR

Perere — Mon, 01 Sep 2008 18:33:35 GMT

Dear sword folk near and far,

I'm putting out the word regarding my new dojo here in PDX and inviting interested individuals to reach out and make contact (always good to expand my circle of friends and comrades-in-arms) and to also invite anyone in the NW region who is interested in classical Bujutsu to come check out what's going on. The dojo has the good fortune & honor of being located within the walls of a quaint Shingon (vajrayana) Buddhist Temple here in town, a which recreates a millennium-old relationship between the Buddhist temples in Japan and the Bushi (samurai) who often brought their trainings inside the temples during the cold winter months.

warm regards to you all and much respect,

Perere
-------------------------------------------------------------------------------------------------------------

Japanese Classical Warrior Arts (Bujutsu) for woman and men. Teens to Adults.

The Japanese classical samurai arts (Bujutsu) offered here, based on the ancient battlefield combative arts, rather than civilian dueling systems, afford deep and rare insights into personal power, respect, and responsibility around actualizations of violence and aggression - both in order to become effective and proficient with these tools & skills and also to better avoid or minimize the need of them. It is also a means of living a path of Bushido (warrior's way), learning how to move and act in the world with core balance and vitality in order to more harmoniously achieve one's goals and objectives. The path of the bushi (warrior) teaches time-honored approaches to strategy, personal empowerment, awareness skills, physical prowess, honor, integrity, and loyalty to a vision - and through this offers a mature and respectful means of cultivating one's character, centeredness under pressure, and bravery of spirit to meet life's challenges.

Lessons include group, paired, and solo dojo training & drills with a variety of classical weaponry (paired training forms & drills done with traditional wooden practice weapons) including Sword (Tachi), Halberd (Naginata), Spear (Yari), Jjitsu fundamentals and more, also learning relevant history, etiquette, and related skills while exploring practical interpretations of ancient arts into modern dynamics and relationships. Students will be encouraged to develop their own solo practice away from time spent in the dojo in order to progress.

Instructor: Eric Johnson Sensei

The instructor is a member of the Toda-ha Buko-ryu (a 400+ year old school of classical Japanese warrior arts) since 1993 and has an Okuden (highest level) graduation in this ancient system. In addition to Japanese classical warrior arts (Koryu Bujutsu) the instructor has over 25 years experience in the martial arts. Including Afro-Brazilian Capoeira Angola in addition to kick boxing, karate, and kungfu. Mr. Johnson has 9 years experience as a professional stunt performance (stuntman) instructor for indie film, etc.

Location: The Buddhist Daihonzan Henjyoji Temple 2634 SE 12th Ave (1 block south of Division)

Schedule:
Fundamentals training for new students is held on Saturday Mornings from 10am to 12noon. Wear comfortable clothes appropriate for physical movement. Traditional training apparel (gi) requested upon joining the dojo.

Joining the dojo is priceless, however, as is traditional to the budo arts: regular student donations to the dojo for upkeep are requested and appreciated.

Prospective Students: please contact Sensei Johnson regarding your intentions to come visit the dojo. It is both polite, and also on occasion Sensei Johnson is away for workshops and seminars and he will want to inform you in advance about training cancellations.

Sensei Johnson can be contacted at: berraboi@hotmail.com

posted in Kendo, Iaido and all Sword Arts - 0 replies

Practical katanas

Djinn — Mon, 24 Mar 2008 04:43:28 GMT

Currently I only have about $300 to spend, but am looking at getting an entry level practical sword for cutting exercises. So far Ive been looking at these Cheness spring steel katanas and the "oniyuri" which is a shorter Bijinkan variation. I also checked out a lower end cold steel practical katana. Any input on what is a decent sword?

http://sbg-sword-store.sword-buyers-guide.com/Tenchi.html
http://sbg-sword-store.sword-buyers-guide.com/oniyuri.html

posted in Kendo, Iaido and all Sword Arts - 32 replies

Excellent article

Sun, 07 Oct 2007 05:36:58 GMT

Kim Taylor has a really interesting take on how conceptualizing "push" vs "pull" can make a big difference in drawing, cutting, and sheathing - it reminds me a lot of how the Pilates idea of "move down to move up" helped my empty hands training in aikido (and also my cutting) - its here
http://ejmas.com/tin/2007tin/tinart_taylor_0710.html

posted in Kendo, Iaido and all Sword Arts - 4 replies

New member.

Esoteric_Refugee — Thu, 08 Mar 2007 20:08:31 GMT

Hey everyone, I just started the whole Tribe thing and I am really looking forward to meeting a ton of cool people and learning all I can from them. I still have to fill my profile out but here's a little bit about me. I am male/23yrs. old from Houston Tx. and I am pretty much the understood type of person who can be classified as eccentric. I personally dislike labels and use them as infrequently as possible. I am pretty varied in my interest and tend to be the jack of all trades type. Anyway, look forward to talking with everyone and I hope to find some others in Houston or nearby to hang out with/party/etc. Peace!

posted in Kendo, Iaido and all Sword Arts - 1 reply

Shinkendo At MCC in Mesa, AZ

Jeff — Sat, 15 Dec 2007 17:51:31 GMT

Latest news! Shinkendo will be offered at Mesa Community College starting in the spring semester, so for those of who want to try Shinkendo and get college credit at the same time, here is your chance. The class will be at the Southern & Dobson campus at 12:00 Monday & Wednesday. The course number is PED102SN, and the schedule line # is 0771.

posted in Kendo, Iaido and all Sword Arts - 1 reply

waHOOOOOO!!!

Tue, 31 Jul 2007 00:21:02 GMT

Sorry...I'm just feeling excited, having just placed an order for my first iaito...this one from Meirin:
http://budogu.com/shopsite_sc/store/html/product747.html
AND I've just finished sewing my black gi top (I made a pattern for myself a few yrs ago, because mature women don't fit well into tops made for Japanese men, and I've made it up in white for aikido...it looks SO COOL in black cotton twill).
ok
nuff good news to share...gonna log off and take my bokken outside in the fog and practice....

posted in Kendo, Iaido and all Sword Arts - 9 replies

katana vs. arrows video

jasonsteeghs — Fri, 19 Jan 2007 08:47:31 GMT

http://www.youtube.com/watch?v=ouU19zvF9xk

posted in Kendo, Iaido and all Sword Arts - 3 replies

video

spinningmonkey — Mon, 23 Jul 2007 02:30:46 GMT

~I was told that is a VHS or DVD of Bokuto no ho, the nine basic paired kata, but haven't been able to turn one up. Any help on this would be appreciated. Thank you~

posted in Kendo, Iaido and all Sword Arts - 1 reply

Suio Ryu Iai Kenpo (R) Study Group in San Francisco

Mon, 23 Jul 2007 00:12:46 GMT

After having to stop aikido training due to multiple joint problems, I finally got myself in shape enough to do weapons training and for a couple of months now have been very happy with this group I found.
Suio Ryu is a true koryu art with lineage to the early 1600s and a Soke who travels to the US once a yr to hold a seminar. I have found the art itself and the atmosphere of the local group to be exactly what I have been looking for and invite anybody else who may be looking for a classical sword art to check it out. A few notes:
Prior martial arts experience is NOT necessary.
The class is led by a man and a woman (a couple) and there is a good gender balance in the group.
You start with the wooden sword (bokuto or bokken), learning forms for drawing, cutting, sheathing the sword both in solo and in paired practice.
The things I really appreciate about this art/group is that the focus is on martial application; the standing kata I"m working on (I am unable to do kneeling forms) is defensive and always done with a very specific attack/opponents in mind. That and of course the attention to detail, which is the thing that you have to enjoy to love weapons work.
If you email them you plan to attend, they will make sure there is extra weapons on hand for you to borrow (you do NOT have to spend a bunch o money on equipment ahead of time)
The only cost is, for ongoing studies, a modest contribution all make towards space rent.
Meets Wed evenings Divisidero/Bush.
General websites on the ryu:
www.suioryu-usa.org/
www.suioryu-bu-rai-an-dojo.org/
If you wish to email the person who runs the local study group directly, swordscholars@yahoo.com

posted in Kendo, Iaido and all Sword Arts - 0 replies

Fencing/Sword Fighting classes in East Bay or SF?

elizabella — Fri, 28 Apr 2006 03:48:08 GMT

I have been wanting to take fencing/sword fighting for a very long time. I was wondering if anyone could direct me to some classes in Berkeley/Oakland/SF are (anywhere near public transportation).

I truly enjoy watching fencing/sword fight scenes. I recenlty rented "Hero" and thought it was amazing.

Thanks,

Elizabella

posted in Kendo, Iaido and all Sword Arts - 7 replies

Martial Arts Friends

tomoe — Thu, 23 Nov 2006 05:12:03 GMT

We have started a new web site for martial artists world-wide: The MartialArtsFriends.com Online Community.

http://martialartsfriends.com/

The "Martial Arts Friends" web site is designed to help people of all martial arts get to know each other on a more personal level than possible on online discussion groups and web sites. The personal profile pages allow individuals to present their martial arts background, as well as other dimensions of their life, such as family, career, interests, endeavors, philosopy, etc. This is also a "community" so that people will be able to interact with each other, conducting dialogue publicly or privately. This is a community that will continue to evolve, based on needs and desires.

Please come join us

posted in Kendo, Iaido and all Sword Arts - 0 replies

Introduction to Sword Fighting Seminar - Philadelphia - November 2006

Damion — Wed, 25 Oct 2006 04:45:15 GMT

Introduction to SwordFighting

Saturday’s November 4th, 11th and 18th, 2006 from 12pm until 4pm

This series of seminars will introduce the student to sword fighting for
fun & combat. It will cover a mix of combative techniques and modern
swordplay for fun and defense with a sword.

Topics to include introduction to:
Stances (Classical and Modern)
Drawing the sword /Draw Cuts
Basic Strikes, Cuts and thrusts from Classical and Modern sword styles
Blocking and Parrying
Partner Contact drills (a fun yet safe speed)
Combat techniques
Sparring (optionally)

Each day will be a mixture of theory and practice.

No experienced required. Open to men and woman 17 and over.

Cost and Registration:
$25 for weapons - you receive and keep one oak and one bamboo sword
and ($50/70/75) for 1, 2 or 3 dates.

Class limited to 24 Students – Sign up early to avoid missing out.

Non-Refundable Pre-registration fee is $25 (approx cost of materials)
payable by check, money order or Paypal. Cash only at Door.

IF YOU NEED WEAPONS:
Please register ASAP So that I may have time to purchase them and have
them reliably for the first day of the seminar.

Location:
25th & Spruce, Schuylkill River Park, Right of Basketball Courts.
Training area is outside, Classes held rain or shine.
(Class may be moved close by or rescheduled in dangerous weather)

This seminar is a required attendance for “Advanced Sword Fighting”
next Seminar: December/January

Contact information:
Damion_is@yahoo.com

posted in Kendo, Iaido and all Sword Arts - 2 replies

corrected link

tashidorje — Thu, 02 Nov 2006 07:06:17 GMT

My teacher Scott Rodell Laoshi

http://video.google.com.au/videosearch?q=scott+rodell

posted in Kendo, Iaido and all Sword Arts - 2 replies

video links

tashidorje — Thu, 02 Nov 2006 01:38:52 GMT

My teacher Scott Rodell Laoshi

www.grtc.org/video/index.html ..... {swordplay} form and a test cutting video

www.video.google.com/videoplay

www.video.google.com/videoplay this is some of our application video

about Scott Rodell Laoshi .......www.en.wikipedia.org/wiki/Scott_M._Rodell

posted in Kendo, Iaido and all Sword Arts - 0 replies

Spanish Mysterious Circle Seminar

Wed, 20 Sep 2006 17:49:13 GMT

A weekend of study on the philosophy and Practice of the Mysterious
Circle
According to the work of Gerard Thibault d'Anvers 1628

Instruction by Matthew Howden
And
John Michael Greer
Hosted by Academia Duellatoria

November 4th and 5th, 2006

Seminar will include lectures by John Michael Greer on the
esoteric and philosophical influences of the hermetic sciences and
sacred geometry and their application to fencing with the rapier.
Lectures on the history and development of the style. Two days of
hands on instruction with the sword under the instruction of Matthew
Howden.
Saturday will cover history and the use of the single rapier vs.
the single rapier, the hallmark of Thibault's system. Saturday night
lecture and optional dinner will cover philosophy and the content of
the plates which Thibault himself does not discuss in the text.
Sunday will continue the hands on study of the rapier and include how
to use the system to defeat the Italina style fencer especially the
system of Fabris. We will also cover Thibault's use of the rapier vs
the longsword.

The Seminar will be held in Medford Oregon.
Class size is limited.
Cost $50.00 per person.
Contact Jeff Richardson for details and registration forms at
jeffery@mind.net (541)772-8501

In addition to the seminar there will be a free lecture, book signing
and demonstration held Friday night at 7:00pm by John Michael Greer
and members of the Academia Duellatoria (Medfords historic fencing
school)at the Medford Barnes and Noble. This will be your first
opportunity ever to purchase the full hardcover translation.

The Teachers:
John Michael Greer is a widely published author on esoteric
traditions - published by Llewellyn books, Weiser or under his own
company Fir Mountain Press. He's been a student and practitioner of
geomancy and sacred geometry for more than twenty years, and is
fluent in Latin and medieval French.
Greer has studied geomantic texts and the art of memory from the
Middle ages and Renaissance. He's a member of the Golden Dawn, is
the head of the Ancient Order of Druids in America and is responsible
for the translation of Gerard Thibault's book on the Mysterious
Circle. After a ten year long process this translation is being
published by Chivalry Bookshelf and can be purchased in it's entirety
for the first time at this event.
Articles on the subject of the Mysterious Circle by Mr. Greer can
be found in the summer 1996 issue of GNOSIS issue number 40 and
volume 9 number 2 of the Journal of Asian martial arts by Via Media
Publishing company.

Matthew Howden has been studying the rapier since the mid 1990's
and has been studying the works of Gerard Thibault for the past 7
years. Originally beginning his teaching career at the club in
Ashland Oregon Matthew now is a member of the Tattershall School of
Defence and runs an independant practice in Portland, Oregon.
Matthew has helped further the research of Destreza in several
capacities over the years and assisted with the instructional
video "La Verdadera Destreza, The True Art and Skill of Spanish
Swordsmanship" featuring Anthony Delongis and the Maestro's Martinez
by helping to supply the still images used in the video.

posted in Kendo, Iaido and all Sword Arts - 0 replies

San Francisco Bay Area Seminar

Wed, 06 Sep 2006 15:57:14 GMT

Greetings All,

Apologies for a rather late posting but,

This coming weekend Sept. 9-10 the Society of Albion is hosting Instructor Bob Charron and Maestro Paul MacDonald for two days of Western Martial Art Instruction.

There are still some slots available for participation at this time. If your interested please follow the link below.

http://www.westernmartialartsgathering.com

Thank You

Pax Smith

posted in Kendo, Iaido and all Sword Arts - 0 replies

the dreaded stiff cotton gi part deux

isabeau — Mon, 03 Jul 2006 21:18:19 GMT

well....i've soaked the gi jacket twice in a tub of cold water with a great gob of fabric softener....the collar is beginning to start to actually give a little bit YAY!

but i'm really thinking of salting it down and pounding it with a meat mallet.

but back to washing....how often do you wash your gis? as i've got a little washer/dryer, the cotton is too heavy for the washer and throws it off balance, so it needs to be washed by hand in the bathtub (in the summer, no problem leaving it over a chair on the porch to dry....

posted in Kendo, Iaido and all Sword Arts - 6 replies

Chinese Swordsmanship Seminar - Bozeman, Montana

CellarDoorForge — Mon, 24 Jul 2006 15:51:29 GMT

Scott Rodell of the Great River Taoist Center, and the Big Dipper Trading Company will be giving a seminar August 26 and 27th. It will mainly cover basic cuts and exercises to practice with your duifang in the Michuan Taiji Jian style. Its as far west as he has ever come! I have done a huge amount of research on chinese swordsmanship. And he is the only person I've come accross who actually knew how to wield a Jian. (wushi's cool. and dancing is cool. but unless it's a movie like 'ultraviolet', it simply doesn't teach you how to fight w/ a blade.)

August
New Location: 26 & 27 - Chinese Swordsmanship Seminar - Bozeman, MT.,
This seminar will be the first in the region & concentrate on
foundation skills, focusing the proper grip & stance, the basic cuts &
their proper martial use, two person drills & so that participants will
be able to begin free swordplay by the end of the training. Host:
Bozeman Chinese Martial Arts Club; Contact: Mike Wiseman,
mwiseman@wisearchitect.com, 406/586-7213

please feel free to call Scott M. Rodell at the Great River Taoist
Center at 703/846-8222 if you have any questions about the Chinese
Swordsmanship program in general or a specific question.

As of today, (7.24.06) we only have 7 spots left. and it will be $135

Hope to see you there!

Ben hanawalt

posted in Kendo, Iaido and all Sword Arts - 0 replies

Sword Workshops in Los Angeles

Mon, 10 Jul 2006 20:25:05 GMT

Forwarded from Robert Chapins "The Action Insider" listing:

Hi all,

Next Sunday COMBAT at Beverly Hills Fencers' Club starts a three-week
workshop on companion weapons!

Cloaks, Bucklers, & Lanterns
This workshop covers those three little companion weapons that get
little less airtime but are so much fun: lantern, cloak, and buckler.
The perfect summertime swordplay sampler! Basic knowledge of foot and
bladework is needed to get the most out of this class. We'll meet
three Sundays (7/16 - 7/30) from 7-9 pm. The three week course costs
$80.

L.A. International Film Fighting Workshop
The week of 8/3 - 8/6 we will be taking time off to host the L.A.
International Film Fighting Workshop. More details to follow
separately - or go to http://www.robertabrown.com/IntlWorkshop.html
to get more information. This workshop is an amazing opportunity to
study with action professionals from all over the industry!

Fight of the Week
Watch this space as TJ Rotolo returns to COMBAT at Beverly Hills
Fencers' Club with a new weekly class involving a different fight
worked up to performance speed every week. More details to follow
soon!

Hope to see you next Sunday with cloaks, bucklers, and lanterns!

Roberta Brown
COMBAT at Beverly Hills Fencers' Club
http://www.swordcombat.com

posted in Kendo, Iaido and all Sword Arts - 0 replies

De Grendelus School Promo

jovetwin — Mon, 03 Jul 2006 07:55:05 GMT

Well met all,

For those that do not know, I have a school of Medieval Martial Arts and along with some very talented film makers have put together and three minute short that will go to the Action on Film Festival this month. I thought I would share because the school and students are very proud of it. There will be a longer version (approx. 10 to 15 minutes) coming later this summer.

Thanks and I hope you enjoy it.

Gemini

http://www.s90255284.onlinehome.us/films/movie-uncomp512K_Stream001.mov

posted in Kendo, Iaido and all Sword Arts - 0 replies

tai chi sword

jorga — Fri, 13 Jan 2006 10:41:10 GMT

anoyone here practice tai chi sword?

posted in Kendo, Iaido and all Sword Arts - 3 replies

Tai Chi Sword Forms / Tai Chi Hand Forms

Tai Ji — Fri, 23 Jun 2006 12:57:02 GMT

In 1957, the Chinese Sports Committee developed a simplified version of Tai Chi Sword based primarily on the Yang style. This simplified form is a series of 32 sword forms that can be performed in about three or five minutes. It was designed as an easily learned series of movements that could be used by anyone to improve their health.

In 1956, the Chinese Sports Committee developed a simplified version of Tai Chi Chuan based primarily on the Yang style. This simplified form is a series of 24 forms that can be performed in about five or six minutes. It was designed as an easily learned series of movements that could be used by anyone to improve their health. Today, the 24 Forms are played by Tai Chi Chuan enthusiasts throughout the world. In 2008, the 24 simplified forms will be demonstrated in the openning of 2008 Beijing Olympic Games by a group of 2008 people.

To have a look of a few tai chi pictures, visit my blog at:

http://tai-chi-for-health.blogspot.com/

http://tai-chi-sword.blogspot.com/

By Tai_Chi_Xin

Email: taichi.cheng@gmail.com

posted in Kendo, Iaido and all Sword Arts - 0 replies

Iaijutsu and Kenjutsu Seminars by Shoichi Nagase 16-17 June

vysokij — Sat, 10 Jun 2006 19:13:10 GMT

Shoichi Nagase from Tokyo will be in Kansas City 16-17 June 2006 to conduct training sessions in Iaijutsu and Kenjutsu. For more information, please visit http://jinmukai.com/

Howard High

posted in Kendo, Iaido and all Sword Arts - 0 replies

how to soften up a gi jacket

isabeau — Sat, 04 Feb 2006 22:53:29 GMT

i'm finding that my gi, which is fairly new, inhibits movement through the shoulders somewhat because it's so bulky and stiff.

anyone have tips on how to soften the fabric up, rather than just letting father time do it?

thanks!

posted in Kendo, Iaido and all Sword Arts - 11 replies

Fencing Master's Certificate Program - California

Mon, 06 Mar 2006 22:53:16 GMT

--------------------------------------

I would like to announce the second annual session of the Sonoma State University Fencing Master’s Certificate Program, to be held July 24-29^th 2006.

Come fence in the beautiful Sonoma County Wine Country (http://www.sonoma.com/ <http://www.sonoma.com/>) Located in the park-like surroundings of Sonoma State University, our course of study introduces the historical roots of modern fencing; including an in-depth analysis of the traditional Italian school of fencing, as well as bouting practice and preparation for competitions. The program is intended for fencers of any level past beginner, who either want to further develop their skills or who want to work to earn credentials that qualify them to coach and teach fencing. The course is taught by Maestro John Sullins as well as visiting Maestri to be announced. Dr. Sullins has over twenty years experience teaching fencing and received his credentials from the San José State University Fencing Master’s Program.

The knowledge and skills students gain by taking the course include:

* Mastery of fencing theory
* Practice in the Italian fencing tradition
* Familiarity with the history of fencing
* Familiarity with alternative fencing venues such as theatric and
historical fencing

Each day includes a theory and practice component. Required texts are available at the SSU Bookstore. This course can be repeated for credit. For detailed information about the program and about what is required to attain the levels of certification in fencing,

Please contact John Sullins at the addresses below.

There will be a limited number of low cost, on campus, housing options (roughly $39 per person per night) available on a first come basis. Contact the instructor for more details.

This session may be used by the student to earn 3 units of credit applicable towards completion of the following degree: Instructor (6 units + exam demonstrating facility in teaching one of the traditional fencing weapons).

For more complete information and to register in the class, follow these links:

Visit our website at

http://www.sonoma.edu/users/s/sullinsj/FMCP.html

To Sonoma State University Extended Education—

http://www.sonoma.edu/exed/Summer/index.html

Direct to course listing--

http://www.ssuexed.com/course.php?id=1130&sem=Summer&year=2005 <http://www.ssuexed.com/course.php?id=1130&sem=Summer&year=2005>

If you have any questions please email me at:

john.sullins@sonoma.edu <mailto:john.sullins@sonoma.edu>

Sincerely,

John P. Sullins, Ph.D., Military Master at Arms,

-- John Sullins
Assistant Professor
Philosophy Department
Director
Fencing Master's Certificate Program
Sonoma Sate University
1801 E Cotati Avenue
Rohnert Park, CA 94928-3613

Phone: 707-664-2277
Fax: 707-664-4400

Course Website
http://www.sonoma.edu/users/s/sullinsj/

Fencing Master's Certificate Program
www.sonoma.edu/users/s/sullinsj/FMCP.html

posted in Kendo, Iaido and all Sword Arts - 0 replies

Kenjutsu / Iaijutsu in Buena Park, CA

vysokij — Fri, 03 Mar 2006 03:51:22 GMT

If anyone is interested, I'm teaching a seminar in Kenjutsu and Iaijutsu this Saturday at the Nihon Karate Dojo in Buena Park. You can get the location info here: http://nihonkaratedo.net/

The seminar starts at 10am and ends at 4:30pm.

So what kind of Kenjutsu and Iaijutsu, you say? There are some video clips here: http://jinmukai.com/

Howard High

posted in Kendo, Iaido and all Sword Arts - 2 replies

developing shoulder strength & flexibility

isabeau — Sun, 20 Nov 2005 20:26:39 GMT

hi all--

anyone have suggestions as to simple routines to promote shoulder strength & flexibility while learning sword forms?

after years of sedentary work typing, needless to say...there's some rotator cuff weakness which means other muscles do too much work. also have a history of a shoulder dislocation in infancy.

suggestions as to simple exercise routines and which muscle groups they help are greatly appreciated!

posted in Kendo, Iaido and all Sword Arts - 38 replies

Introduction to Swordfighting Seminar - Philadelphia, April 2006

Damion — Fri, 03 Mar 2006 05:05:30 GMT

Saturday’s April 1st, 8th, 15th, 22nd & 29th, 2005 from 12pm until 2pm
(Final Registration starts 11:30pm on the 1st)

This series of seminars will introduce the student to sword fighting for fun & combat. It will cover a mix of combative techniques and modern swordplay for fun and defense with a sword.

Topics to include introduction to:
Terminology
Stances (Classical and Modern)
Drawing the sword (removing the sword from it’s sheath)
Basic Strikes, Cuts and thrusts from Classical and Modern sword styles
Blocking and Parrying
Partner Contact drills (a fun yet safe speed)
Combat techniques

10+ Hours of fun yet intense Instruction

Each day will be a mixture of theory and practice.
No experienced required. Open to men and woman 17 and over.

Cost: $150 for All 5 Saturdays. (Only $150 total, not $600) (Cash only at Door) Includes: one Shinai and one Bokken (one bamboo and one wooden practice sword, which you get to keep).

Class strictly limited to 24 Students – Sign up early to avoid missing out.

Non-Refundable Pre-registration fee is $25 (approx cost of materials) payable by check, money order or Paypal. Cash only at Door.

If you register before march 15th, save $10 off total. Also if you and a friend sign up together, it's $10 off each(This will stack with the early registration fee as well($20 off)). This can stack multiple times for you if you bring multiple friends. they each get $10 off and you get $10xnumber of friends off.

Class held at location in Center City, Philadelphia,
Near Rittenhouse Square. Location upon registration.
Training area is outside, Classes held rain or shine.
(Class may be moved close by or rescheduled in dangerous weather)

Contact information:
Damion_is@yahoo.com

posted in Kendo, Iaido and all Sword Arts - 0 replies

Bokken, Shinai, Shinken...what's it all about?

Sun, 13 Nov 2005 00:03:32 GMT

From Wikipedia, the free encyclopedia.

bokken training: A Bokken (木剣, bok(u), "wood", and ken, "sword") is a wooden Japanese sword (or sabre), usually the size and shape of a katana (though wakizashi and tanto-sized are available). They are also known as bokutō (木刀, "wooden sword").

Bokken is a training sword, used as a relatively safe and inexpensive substitute for a real blade in several martial arts. They are used in the early stages of iaido when a practitioner has not yet reached the level where use of a iaito would be safe. The exception would be when a certain kata involving two people is performed. Then the veteran iaidoka will use a bokken for safety reasons. There are also specially designed bokken made for sword drawing only. These are, for the most part, supplied with a plastic or wooden saya and are generally slimmer than a normal bokken and not suited for regular sword techniques.

Kenjutsu makes heavy use of the regular bokken in various drills, and aikido, while being primarily an empty-handed art, also features bokken training. The focus of the bokken in some aikido dojo is not that of a weapon, but that of a tool to enchance focus. These wooden swords often have a smooth transition between handle and blade and are not used with a hand guard (tsuba). Other bokken are made to accept a hand guard (tsuba) and have a clearly defined transition between the handle section and the blade.

Bokken are used for the practice of kendo; to learn to make proper strokes and get accustomed to the curvature of the blade, as well as to practise the kata (forms). More than a few kata take advantage of the curvature of the blade and the presence of the tsuba to block the opponent's sword. This is not possible with the straight "blade" of the shinai.

The quality of the bokken is derived from several factors. The type of wood used, along with the quality of the wood itself, and the skill of the craftsman, are all critical factors in the manufacture of a good quality bokken.

First, and most importantly, is the selection of the wood used to make the bokken. Almost all mass produced inexpensive bokken are made from porous, loose-grained South East Asian wood. These bokken are easily broken when used in even light to medium contact drills, and are best left to work in kata only. Furthermore, the wood is often so porous, that if the varnish is stripped off the inexpensive bokken, one can see the use of wood fillers to fill the holes.

While most species of North American red oak are pretty much unsuitable for any serious work with a bokken, there are some Asian species of red oak that have a significantly tighter grain, and will last longer.

Some of the bokken that are a step up from the red oak ones, will use superior woods. Japanese white oak, also known as Kashi, has been a proven staple, having a tighter grain than any red oak wood, and hickory wood seems to have a very good blend of the factors that contribute to a wood's suitability (toughness, impact resistance, hardness, etc), while still having a relatively low cost.

The use of exotic hardwoods is not unusual, when looking at some of the more expensive bokken. Some wooden swords are made from Brazilian cherrywood (Jatoba), others from purpleheart, and some very expensive ones made from Lignum Vitae.Tropical woods are often quite heavy, a feature often sought in bokken but a common drawback of these heavy and hard materials is the tendency towards brittleness. Many of the exotics are suitable for suburi (solo practice) but not paired practice where there is hard contact with other wooden swords or sticks.

The most important caveat when making generalizations on wood quality is that there are differences between individuals within a species and a bokken made of any particular wood type might be quite a bit different from another of the same wood type.

A suburito is a bokken designed for suburi. Suburi, literally "bare cutting," are solo cutting exercises. Suburito are thicker and heavier than normal bokken. One wielding a suburito has to develop both good technique and strong muscles to wield one. Their weight does, however, tend to make them poorly balanced; consequently, they are not used for paired practice.

Historically, bokken are as old as Japanese blades, and were used for the training of warriors. Miyamoto Musashi, a legendary kenjutsu master, was infamous for fighting fully armed foes with only one or two bokken. He defeated several master swordsmen in this way, including Sasaki Kojiro. Sasaki was armed with a deadly Nodachi great sword, but Musashi slew him with a bokken made from an oar.

In fiction the suburito has been popularised in Neal Stephenson's cyberpunk novel Snow Crash as the "redneck katana". It is described as "a one-meter-long piece of heavy rebar with tape wrapped around one end to make a handle. The rebar approximates a katana, but it is very much heavier."

In the anime series Outlaw Star the assassin Twightlight Sazuka uses a bokken as her weapon of choice. It is stated that the reason for this is in order to prevent detection from metal detectors.

In Usagi Yojimbo, the main character and his son, Jotaro were allowed to wield a bokken in their youth

Shinai:

A shinai (Japanese:竹刀) is a practice sword used primarilly in Kendo or Kumdo(Korean Kendo). Shinai are also used in other matial arts, however these are styled differntly than kendo shinai, and are represented with different Japanese charicters.

In most Kendo the practitioner is armed with a shinai, a bamboo practice sword that consists of four bamboo slats, a leather handgrip called the tsuka-gawa covering the tsuka (the hilt), a leather cup called the sakigawa on the tip (or kissaki), and a tsuba (the hilt, made of resin or leather) held in place by the tsuba-dome (a rubber disk). The whole is kept together under tension by a string (the tsuru) connecting the leather parts at each end, and by a leather binding around the shinai (the nakayui) marking out the datotsu-bu or mono uchi (the top part of the blade towards the tip) which is the kendo cutting area.

The shinai allows full strength cuts to be made, without the risk of killing or maiming your training partner the way that a live blade or a solid wooden dummy sword would. In Kendo the solid wooden sword, or boken, is still used in the Kendo Kata and more rarely in waza (technique) practice in order to gain a better understanding of how the technique works with a sword, however it is not for free-sparing. The steel Katana, or alloy iaito are used by high grades in Kata demonstrations and are the standard weapon used in Iaido

Shinken

Shinken (真剣), lit. real sword, is a newly forged Japanese sword, usually for high level iaido and/or tameshigiri (cutting) practice. As opposed to an iaito (a regular metal sword for iaido practice), a shinken has a sharp edge and is hand-made by one of approximately 250 Japanese swordsmiths active at the moment, most of them members of the Japanese Swordsmith Association, but also a few amateurs who work outside the organisation. Those swordsmiths are limited by law to producing no more than twenty-four swords a year each, causing many swordsmiths to make cheaper alloy iaito too. This limit, along with highly specialised skills and the need for a great deal of manual labour, accounts for the high price that a shinken can fetch — starting from about $4,000 for the blade alone, and going many times higher for genuine Mukansa or Ningen Kokuho blades.

posted in Kendo, Iaido and all Sword Arts - 4 replies

New to the tribe

Wed, 21 Dec 2005 23:13:23 GMT

I am new to the tribe and wanted to say hello and Happy holidays to all.

posted in Kendo, Iaido and all Sword Arts - 5 replies

Hello

Thu, 09 Feb 2006 02:31:43 GMT

I recently joined Tribe, and will be moving to Portland here as soon as possible. Does anyone up there practice Tai Chi with Sword?

Thanks,
Red

posted in Kendo, Iaido and all Sword Arts - 0 replies

Kendo or Iaido in NE Ohio

Gunderic — Thu, 02 Feb 2006 13:27:47 GMT

I've been out of training for about 10 years and am looking to get back into it, does anyone know of a website or magazine with listings for NE Ohio, Western Penn.?

posted in Kendo, Iaido and all Sword Arts - 0 replies

6th Annual Renaissance Fencing Weekend San Jose. Ca.

Tue, 10 Jan 2006 19:14:44 GMT

-----Original Message-----
From: Steaphen Fick <davenriche@yahoo.com>
To: rensword@yahoogroups.com
Sent: Mon, 09 Jan 2006 15:04:35 -0000
Subject: [rensword] Sword camp 2006

6th Annual Renaissance Fencing Camp>>
February 17-20 2006>>
> >
At>>
> >
Davenriche European >>
lace>lacename>Martiallacename> lacename>Arteslacename> lacetype>Schoollacetype>lace>>>
> >
> >
Study techniques that were used from the Middle Ages through the Renaissance for personal protection and survival. Classes include Dagger, Sabre, Dusack and Side Sword.>>
> >
Study Techniques as taught by the ancient masters >>
with Steaphen Fick, Jared Kirby, Maestro John Sullins>>
> >
Each day classes will go from 10 - 12pm with a lunch break from 12 - 1pm and classes resuming from 1 - 3pm. From 3 - 4pm we will have a demonstration of different weapons and unarmed techniques by the instructors. This hour will be demonstration and information only, open to the observation of everyone on the site. From 4 - 5pm there will be a supervised open forum for the students to ask questions and practice techniques learned during the day's class.
> >
Friday: Italian and German Dagger>>
Saturday: German Dusack>>
Sunday: Side Sword (cut and thrust)>>
Monday: Sabre>>
(Schedule subject to change)>>
Steaphen Fick www.knight2day.com>>
650 Nuttman lace>St.lace>, Ste. 108 408-857-0120 ph>>
lace>Santa Clara, CA ostalcode>95054ostalcode>lace> davenriche@knight2day.com >>
> >
> >
Please watch the web site for more information at www.knight2day.com>>

posted in Kendo, Iaido and all Sword Arts - 8 replies

Kendo or Iaido in Walnut Creek, CA (area)

martialzen — Mon, 02 Jan 2006 01:44:36 GMT

I am sure this may have been covered. But since not all schools are listed on the web this may be a good place to get some info.

It looks like I might be moving to the Walnut Creek area of CA. I have studied both Kendo and Iaido and was hoping to find a school (for both/either) in close proximity to this area that I might go check out.

Any pointers?

Thanks in advance,

Derek.

posted in Kendo, Iaido and all Sword Arts - 3 replies

Salt Lake City Iaido

theaikidoman — Sat, 10 Dec 2005 08:00:29 GMT

I am new to this forum and would like to know of any Iaido Dojo's in or around the Salt Lake City area or possibly a good resourse to find one.

Thank you in advance for any info you can provide,
-Tim

posted in Kendo, Iaido and all Sword Arts - 0 replies

need resource materials

Thu, 08 Dec 2005 03:22:28 GMT

Does anyone have any books on basic striking and blocking drills or know of any "online" resources that cover such material.

I am looking to learn the basics of striking and blocking with Bokken (for form and technique only, not for sparring)

posted in Kendo, Iaido and all Sword Arts - 3 replies

Japanese Sword forging process

Tue, 29 Nov 2005 07:06:52 GMT

1st, the Japanese process. The attempts to de-"engrish" the orignial article became tedious so please forgive the overuse of hyphens.

1. Preparation for the material

1) Heshi process (Re-melting for carbon percent control, Hardening and Platening)

The production of the sword begins from the manufacture of the base steel called the Heshi process.

The lump of Tama Hagane is heated, and hammered into flat sheets. This is the starting point of forging.
Next, the flat pieces are hardened to obtain the heshi-metal. This heshi-metal is struck and broken in little pieces to be sorted.
- The pure iron, carbone content closed to 0, called the pig iron.
- The high carbon content, called zuku
- The Hocho-iron, higher carbon content used for the jacket of the blade. The Oroshi process, re-melting process is used to adjust the carbone content of these steels and make them suitable for the next process steps.

2) Tsumi wakashi processing (element adjustment)

The small pieces are stacked on a tool called Teko, they are wrapped in the Japanese paper to be hold together.
Straw ashes are put on the surface and the whole is coated with clay juice.The stack is heated to such a temperature in the charcoal fire (Hodo) that clay on the surface does melt. Straw ashes and clay prevent the loss in weight of the steel due to the oxidization.

The pieces are heated and taken out from the fire floor when the suitable temperature is reached.The pieces are then strucked with small hammer blows, the piece is strengthened, and a "base", 60mm widthwise, 90mm lengthwise is created.
This process is called "Tsumi Wakashi"

3) Shitakitae (Lapel forging 5-6 times)

Next, few layers of steel are piled to obtain a stack weighting about 1.8 to 2.0 kg. the Wakashi process is repeated, the material is extended to a length of about 200mm.

With a cold chisel the material is cut, in the center, the cutting line in the direction of the material extension. The piece is folded lengthwise and the Wa-ka-shi-process is done again to weld the folded parts. Then the extending, cutting and lapeling operatons are repeated. Such lapel forging is called Shitakitae. It gets rid of extra carbon in the steel and is repeated about 5-6 times to make an homogeneous steel.

All the Tama hagane, pig iron (zuku) and Hocho-iron are treated by the Oroshi process (re-melting process) and the Shi-ta-ki-ta-e-process. Making Japanese sword requires number of pieces of the three kinds of steel.

2.Tsumi wakashi, Tanren, Agekitae

1) Tsumi wakashi (making alloy)

The 4 following parts are combined to make Japanese sword.
a) Shi-n-ka-ne (Body steel)
b) Mu-ne-ka-ne (Ridge steel)
c) Ha-no-ka-ne (Edge steel)
d) Ga-wa-ka-ne (Side steel)

All metal of these parts are mixed by combination of the three kinds of metals coming from Shi-ta-ki-ta-e, Tsu-mi-wa-ka-shi and lapel forging.

2) Tan ren (making of Body steel, Ridge steel and Edge steel)

The center steel will be done from 7 times lapel forging steel. The ridge steel will be done from 9 times. The edge steel will be done from 15 times lapel forging and has 32,768 layers.

3) Agekitae (making side steel) process

After the forging completed, edge steel, body steel and ridge steel are combined in three layers and welded by forging .
It is done by welding 4 pieces. The result is a piece of 90mm long, 20mm width and with a thickness of 40mm.
This becomes the part of the wick of the sword called "wick steel" generally.

The steel for Ga-wa-ka-ne which becomes the surface of the Japanese sword is made from Tsu-mi-wa-ka-shi, Shi-ta-ki-ta-e and will be support 12 times the lapel forging process. It is called "A-ge-ki-ta-e" especially.

3. Combine

The forged side steel is further extended in the double length of the wick steel. After it is cut in the center and the 2 parts are placed on the side of the wick steel. The side steels are sandwich-shaped around the wick steel.

4.Wa-ka-shi-No-be, Na-ka-go-Tsuke, Su-no-be, Hi-zu-ku-ri, Ka-ra-ji-me (cold forging)

1) Wa-ka-shi and No-be processes

Tsu-mi-wa-ka-shi process and welding process by forging are done for this sandwich-shaped piece. This piece is lengthen by Nobe-process to 500-600mm long with 15mm thick and 30mm width. These processes of Tsu-mi-wa-ka-shi and No-be will create a special compound material which is ready to make a Japanese sword.

2) Nakago tsuke process

After that, the handle used for forging is separated, and the Nakago which becomes the handle of the Japanese sword , it is processed by tsumi wakashi and welded to the compound material.

3) Sunobe process

The length that it is linked to the weight of the material is calculated here. The piece is forged to obtain the desired dimensions and then smoothed with small hammer blows. These processes are called Sunobe. The shape of sword is prepared; length, width and thickness are set up to correspond with the archetype of the final figure of the sword.

4) Hi-zu-ku-ri process

The work of making the actual shape of the sword is done with the Hi-zu-ku-ri process. The ridge of Nakago (Tang) is forged to get a round shape, the ridge of the sword body is forged to become a triangle. Next, the edge of the sword body is forged more, and made thin. The whole shape is modified after forging with the Shi-no-gi-chi. The sword is heated to the color of the adsuki bean (a low temperature) and then the sword body is cooled down gradually.

5) Ka-ra-ji-me process (cold forging)

After a sword body gets cold, the black skin of the surface is removed with the rough grindstone. Then, the cold processing of forging Hi-ra-ji and Shi-no-gi-chi with same procedure as Hi-zu-ku-ri, named as "Ka-ra-ji-me" is done. It's assumed that the cutting performance of the sword increases with this process. The ridge and the edge line are made straight before finishing the body of the sword. After that, the little roughness on the surface is shaved with the plane. The shaved iron is called Sen.

When the roughness has disappeared, the Machi (notch) between the ridge and the edge is made in the border of the sword body and Nakago. The Machi decides the end of the edge length (Ha-wa-ta-ri) of this sword and a basic sharpening of the blade is made before the quenching process. This sharpening operation is done with the rough polishing-stone to take out the shaving marks made with plane called Sen. Oil and fat on the surface of the sword body is removed with a mix of straw ashes and water, and then the surface is dried.

5. Tsu-chi-o-ki and Quenching (making the curve)

1) Tsu-chi-o-ki processing

The next process is the quenching which gives a Japanese sword a beautiful curve and toughness. Both of the intuition that it was sharpened and purified, and the very advanced technology are required in everywhere steps of this treatment. Before doing the quench process of the sword body, the "Tsu-chi-o-ki" work of applying three kinds of quench soil (clay coating) to Hi-ra-chi, Ha-mo-n and Shi-no-gi-chi is done.

Quench soil is applied to Hi-ra-chi of the sword body, uniformly and thinly in the beginning of the tsu-chi-o-ki. Next after, the outline line of the ripple is marked with a writing brush. Another layer of soil is applied in Shi-no-gi place to get a thicker soil for this part than for the edge. When it is done like this, a thin part of the edge is cooled more rapidly during the quenching process and quenched completely. On the other hand, the cooling speed becomes slower for the thicker soil, and the quench isn't done fully in the ridge of the sword.

The part of the edge fully quenched becomes hard and a little bit longer. On the opposite the steel of the ridge which cools slowly contracts. This property is used skillfully to obtain the curve which is peculiar the Japanese sword.

2) Quenching

The workplace is darkened to know the heating temperature properly. The sword body which has tsu-chi-o-ki done is deeply put on the fire floor, and the whole of the sword body is heated uniformly to about 800 degrees. The sword body with an even heat is pull out from the fire floor. Then a sword body is plunged into the water tank. This is done quickly, the craftsman plunged the sword body into the water at a stretch in accordance with his breathing. In the water, the sword body begins to turn in the direction of the edge, but after short time, it warps conversely.

When the sword is fully cooled, it is pulled up from the water tank, and sharpened with the polishing stone which is rough at once, and the quench condition of edge is checked. If a quench edge is prepared as required, a sword body is reheated in the charcoal fire, and tempered. This treatment is called "A-i-do-ri". A sword body could warp during the quenching operation. Therefore, while there is remaining heat from the Ai-do-ri, it is struck on the wooden base with light hammer, and it is corrected. Moreover, the nakago is also tempered and its shape corrected.

6. Togi (polishing) - Registration

1) Togi (polishing)

After this, the whole shape of the Japanese sword and its thickness (the swell condition of the sword body) are modified by Japanese sword master as his last work before the polishing by the Japanese sword polisher. According to the order, the groove, a U letter shape which it is called as the "gutter (Toi) " is shaved with the Sen in Shi-no-gi area of the sword body. After the shape of Na-ka-go is finished with the Sen and a file, the Me-ku-gi (peg) holes are drilled and some clean line figure are engraved on the surface with the make-up file on the Nakago (tang).

An inscription is cut with cold chisei at the last and the work of sword master is finished. Then, the Japanese sword send to the polisher and the Ha-ba-ki and the Sa-ya (sheath) are set on the Japanese sword. The Japanese sword are polished finally. After all works are completed, the Japanese sword is finished.

"Sa-ya (Sheath) " materials ; The tree of Hoh which dried well is used. The profile of the sword is copied on the surface of wood with a pencil. It is shaved with the chisel. (inside) A curve is made in the sheath in the case of the sword which doesn't have a curve. (outside ) It is sealed with the glue made from rice grain called So-ku-i. (The part of the sheath is the investigation result of Mr. Kumano of ML from the item of "Ma-ki-e" (lacquer craft) of the "Heisei craftsman picture history Kanto edition".)

2) Registration

A Japanese sword is delivered to the hand of the order master with the permit of possession after it has been returned to the hand of sword master and after a registration examination by the Board of Education. It is said that at least 3 to 4 months are required to complete a Japanese sword.
From the editer;
1) First editon;
This story is translated and arranged by H.Thoma from the book "Wonder encyclopedia for high technical production of many things" edited by The Japan Society for Technology of Plastcity and published by Korona Co., Ltd.
2) Latest editon(July 25,1999);

posted in Kendo, Iaido and all Sword Arts - 10 replies

European sword typology (Oakeshott Type Classification)

Tue, 29 Nov 2005 21:36:23 GMT

http://en.wikipedia.org/wiki/Oakeshott_type

http://www.oakeshott.org/Typo.html

http://www.myarmoury.com/features.html

Ewart Oakeshott's typology of the medieval sword is based on blade morphology. It categorizes swords into 13 main types labelled X to XXII. Ewart Oakeshott introduced it in his The Sword in The Age of Chivalry 1964, which was revised in 1981.

The system is a continuation of Jan Petersen's typology of the Viking sword, introduced in De Norske Vikingsverd ("The Norwegian Viking Swords", 1919), modified in 1927 by R. E. M. Wheeler into a typology of nine types labelled I to IX.

Type X
Oakeshott X describes the type of sword common in the late Viking age, remaining in use up to the 13th century. They feature broad and flat blades, with an average length of some 80 cm (2.6 feet) and with a fuller, generally very wide and shallow, running almost the entire length, but fading out shortly before the point. The point is typically rounded. The grip has the same average length as the earlier Viking swords (some 9.5 cm or 3.7 inches). The tang, usually very flat and broad, tapers sharply towards the pommel. The cross is generally of square section, about 18 to 20 cm long (7 to 7.8 inches), tapering towards the tips, in some rare cases slightly curved. It is narrower and longer than the typical Viking type, representing a transitional type to the knightly sword of the high Middle Ages. 10th-century Norsemen knew this type and called it gaddhjalt (spike hilt). The pommels usually take a Brazil-nut form, and sometimes also a disk-shape. [1]

In 1981, Oakeshott introduced the a subtype Xa, including swords with similar blades but a narrower fuller, originally classified under type XI. Many of the type X blades have inscribed the ULFBERHT mark.

Type XI
Tapering point, in use ca. 1100–1175. Subtype XIa has a broader, shorter blade.

Type XII
Typical of the high Middle Ages, these swords begin to show a tapering of the blade with a shortened fuller, resulting in improved thrusting characteristics while maintaining good cutting capabilities. A large number of medieval examples of this type survive. It certainly existed in the later 13th century, and perhaps considerably earlier, since the Schweizerisches Landesmuseum in Zurich possesses an example that has a Viking Age-type hilt, but clearly a type XII blade. The subtype XIIa (originally classified as XIIIa) consists of the longer, more massive great swords that appear in the mid-13th century, probably designed to counter the improved mail armour of the time, and the predecessor of the later longswords. The earliest known depiction of a type XII sword in art forms part of the Archangel Michael statue in Bamberg Cathedral, dating to circa 1200. The Maciejowski Bible (circa' 1245) depicts other examples.

Type XIII to XVa blades
Type XIII
This typifies the classical knightly sword that developed during the age of the Crusades. Typically, examples date to the second half of the 13th century. Type XIII swords feature as a defining characteristic a long, wide blade with parallel edges, ending in a rounded or spatulate tip. The blade cross section has the shape of a lens. The grips, longer than in the earlier types, typically some 15 cm (almost 6 inches), allow occasional two-handed use. The cross-guards are usually straight, and the pommels Brazil-nut or disk-shaped (Oakeshott pommel types D, E and I).

Subtype XIIIa features longer blades and grips. They correspond to the knightly great swords, or Grans espées d'Allemagne, appearing frequently in 14th century German, but also in Spanish and English art. Early examples of the type appear in the 12th century, and it remained popular until the 15th century. Subtype XIIIb describes smaller single-handed swords of similar shape.

Very few examples of the parent type XIII exist, while more examples of the subtype XIIIa survive. A depiction of two-handed use appears in the Tenison psalter. Another depiction of the type appears in the Apocalypse of St. John manuscript of circa 1300.

Type XIV
Ewart Oakeshott describes swords of Type XIV classification as "...short, broad and sharply-pointed blade, tapering strongly from the hilt, of flat section (the point end of the blade may, in some examples, have a slight though perceptible mid-rib, with a fuller running about half, or a little over, of its length. This may be single and quite broad or multiple and narrow. The grip is generally short (average 3.75") though some as long as 4.5"; the tang is thick and parallel-sided, often with the fuller extending half-way up it. The pommel is always of "wheel" form, sometimes very wide and flat. The cross is generally rather long and curved (very rarely straight)."

Type XV
Tapering blade with diamond cross-section and a sharp point. In use ca. 1300–1500. Type XVa have longer, narrower blades, for example the fencing swords of the school of Johannes Liechtenauer.

Type XVI to XVIIIb blades
Type XVI
Blade length ca. 70-80cm. Subtype XVIa have a longer blade with a shorter fuller.

Type XVII
Long, tapering blade, hexagonal cross section, two-handed grip. Heavy swords, weighing more than 2 kg, used to pierce armour. In use ca. 1360–1420.

Type XVIII
Tapering blades with broad base, short grip, diamond cross-section. The subtype XVIIIa have narrow blades with a longer grip. Subtype XVIIIb have a longer blade and long grip and were in use ca. 1450–1520. Subtype XVIIIc: broad blade of ca. 90 cm.

Type XIX
15th century swords for one-handed use, with broad flat blades, parallel edges, narrow fullers, ricasso.

Type XX
14th to 15th century "hand and a half" swords, often with two fullers. Subtype XXa have narrower blades.

Type XXI
Cinqueda swords, late 15th century.

Type XXII
Broad flat blades, two short, narrow fullers, around 1500.

posted in Kendo, Iaido and all Sword Arts - 0 replies

question...

Thu, 03 Nov 2005 21:46:33 GMT

I used to have two boken (the red oak style of practice swords in the shape of katanas)...and now I have a short one and a long one. Basically, when I was sparring with a friend to up my practice, the sword I was practicing with broke towards the end of the sparring...right in the center of the blade!

Is this totally common with these practice swords, having to replace them because they get broken? I would figure that it'd be pretty hard to break red oak (a hardwood from Japan). Or does this mean I don't know my own strength during practice? This has gotten on my nerves, and any opinions are welcome.

Eric

posted in Kendo, Iaido and all Sword Arts - 40 replies

japanese sword arts tribe

ignorantbeast — Fri, 23 Sep 2005 02:41:07 GMT

http://tribes.tribe.net/japaneseswords

posted in Kendo, Iaido and all Sword Arts - 2 replies

Filipino Martial Arts Seminar

Fri, 16 Sep 2005 22:53:56 GMT

Forwarded from the Action Insider:

Inosanto Academy of Martial Arts
http://inosanto.com/

13348-13352 Beach Ave.
Marina Del Rey, CA 90292
310-578-7773

Oct.2,2005 12:30-3:30 pm
$35.00

The main topic of the workshop will be stick & dagger. The movements
will also be applicable to bladed weapons. All levels are welcome.
Bring a stick & training knife. Training blades can also be used but
most people will be using sticks. Single stick energy & sensitivity
drills will also be covered. The workshop will be taught by Victor
Gendrano,Jr. He has been teaching at the Inosanto Academy for over
12 years. E-mail him at icevtpv@... for more info.

posted in Kendo, Iaido and all Sword Arts - 0 replies

Swordplay Fundraiser

Fri, 02 Sep 2005 20:58:01 GMT

Anyone and everyone who is interested:

We (Albion School of Defense and the Society of Albion a Fraternal Organization) will be running an impromptu demonstration of martial skill, etc. on Monday, Sept. 5th (Labor Day) from 1:00-3:00. All donations from the public will go to the red Cross, earmarked for victims of Katrina.

We will meet IN COSTUME(if you don't have one or desire not to wear one thats okay) on the right side of the Conservatory of Flowers in GGPark on JFK Drive (accessible through the 8th ave. and Fulton entrance, although you cannot park in the Park on the holiday).

If possible, please email me back or call me at 516=9631 to confirm your presence.

Thank you.

--David

posted in Kendo, Iaido and all Sword Arts - 0 replies

Tai Ji Sword

jorga — Wed, 04 May 2005 20:42:41 GMT

Anyone know a good teacher in Los Angeles?

posted in Kendo, Iaido and all Sword Arts - 2 replies

Keith Alexander 1963 - 2005

baileythorne — Tue, 26 Jul 2005 07:39:15 GMT

Keith Alexander
1963 - 2005

This is to let friends of Keith know that he passed away July 11th, 2005. Since he was a member of this Tribe, I'm posting here as well.

With the assistance of Tribe, I posted a tribute on his profile. Feel free to post a testimonial if you like. Tribe will be accepting those as well.

--bailey

posted in Kendo, Iaido and all Sword Arts - 0 replies

July 2005 US Kumdo Open

Jeremiah — Thu, 21 Apr 2005 10:51:08 GMT

In Philly the city of brotherly love kumdoins congregate for championship titles. Happening mid July, i'll post more info about it.

posted in Kendo, Iaido and all Sword Arts - 8 replies

Hey everyone, looking for club/dojo in San Francisco!

Nashi — Sun, 20 Feb 2005 16:48:58 GMT

Osu! Looking for a club in San Fran. I have studied Kenjitsu mostly, but wanna try in Kendo, Iaido, or Battojutsu! Love training with Bokken or Jo, so hope to find a school that promotes both. Thanks alot!

posted in Kendo, Iaido and all Sword Arts - 9 replies

Data Dump - What should a quality blade be able to withstand?

mkelty — Tue, 07 Jun 2005 00:10:24 GMT

I've run into a few threads lately on some other sites about what a blade should or should not be able to do, and more importantly, what to expect from a sword when one does practice cutting, sparring, etc. I realized it might benefit this community to have some definitive answers as to what the limits and capabilities of steel are. Pardon the crosspostings, but I think we've got some diverse memberships around here.

I'm personally a forged blade fan, but the following results *can* be achieved through quality Stock removal blades as well (Albion, Angus Trim, Michael 'Tinker' Pierce, and others are a testament to quality stock removal blades), so just because a piece isn't forged it shouldn't be assumed to be bad. *ALL* blades are capable of this, depending on the materials used, and the skill and knowledge of the person who made it, however $50 swords need not apply... :)

First, I've excerpted the requirements for the Journeyman status in the American Bladesmith Society, as it serves as a benchmark by which expert knifemakers judge their peers. The only difference between the "Journeyman" and "Master" status, is that the Master's test requires the same feats of a Pattern welded blade.

From: http://www.americanbladesmith.com/ABS_JSTest.htm

Below are the requirements of the piece itself, and note that *NO* stropping or honing is allowed between the test phases:

The applicant must have personally forged and performed all work on the test blade, with no other person physically assisting in its construction or heat-treating.

Only forged blades may be tested. Applicants for Journeyman Smith must test with a carbon steel knife. Damascus or laminated blades are not allowed as test blades for those seeking Journeyman Smith status.

Once the test begins, no work, not even light stropping, may be done to the test blade.

TEST KNIFE SPECIFICATIONS:
- Overall Length of Knife: Maximum fifteen (15) inches.
- Blade Width: Maximum two (2) inches.
- Blade Length: Maximum ten (10) inches from point to the beginning of either the guard, bolster, or handle of the - blade.

The test must be conducted in the following sequence:

NOTE: ALL TESTS MUST BE PERFORMED BY THE APPLICANT, EXCEPT AS SPECIFICALLY PROVIDED FOR IN THE ROPE CUTTING. THE MASTER SMITH IS TO SUPERVISE AND SERVE AS THE OFFICIAL ABS WITNESS.

1. ROPE CUTTING: THE PURPOSE OF THIS TEST IS TO TEST THE EDGE GEOMETRY AND SHARPNESS.
Applicant is responsible for supplying the test rope and ensuring that it is a minimum of one (1) inch in diameter. If the applicant brings a larger rope, the applicant will be judged using the same criteria as though the rope was one-inch (1) in diameter. The rope is to be hung in a safe manner, so that the end of the rope to be cut hangs loose without touching the floor or any other object. As a safety precaution, the rope is not to be hand held by another person during the rope-cutting test. The hanging end of the rope is to be marked with tape or a marker to clearly indicate the area that is to be cut. The cut must be approximately six (6) inches from the end of the free hanging rope. A minimum of one (1) cut must be made. The applicant is to aim at the mark with a two (2) inch margin of high or low being acceptable. The applicant must sever the rope in two with one stroke. If the applicant fails on the first attempt, the Master Smith will allow two more attempts. However, if the Master Smith believes that the failure to sever the rope is due to the lack of skill or strength of the applicant, the Master Smith may attempt the rope cutting with the test knife. This is a test of the applicant’s ability to make a knife, not to cut with it. If neither the applicant nor the Master Smith successfully cuts the rope, the applicant fails.

2. WOOD CHOPPING: THE PURPOSE OF THIS TEST IS TO DEMONSTRATE EDGE TOUGHNESS.
The chopping test is to be conducted with 2x4 construction grade wood stud. The 2x4 may be either hand held or clamped into a vise or other safe devise. A chopping motion (no whittling) is to be used. The 2x4 must be chopped completely through a minimum of two (2) times. The applicant may choose the area of the 2x4 through which to chop. Following the chopping test, the Master Smith will inspect the edge to determine if there is any noticeable damage to the blade. Any nicks, chips, flat spots, rolled edges, or other deformations of the blade will result in failing the test.

3. SHAVING HAIR: THE PURPOSE OF THIS TEST IS TO DEMONSTRATE EDGE RETENTION.
After the Master Smith approves the quality of the edge, the blade will be returned to the applicant. The applicant must then shave hair using the section of the blade that was most frequently used in the cutting and chopping portions of the test. Enough hair must be shaved to demonstrate that the edge remains keen and shaving sharp.

4. BENDING: THE PURPOSE OF THIS TEST IS TO SHOW THAT THE APPLICANT IS ABLE TO HEAT TREAT A KNIFE WITH A SOFT BACK AND A HARD EDGE.
The bending of the blade is the final test. Safety gear should be worn. At the discretion of the applicant or the Master Smith, the edge may be dulled prior to bending. The Master Smith will mark a line across the width of the blade approximately 1/3 distance from the tip of the blade. The blade will then be inserted into a vise, tip first, such that the blade is placed into the vise up to the mark on the blade. If the vise jaws are rough, smooth metal inserts shall be located on each side of the clamped portion of the blade to protect the blade, when bending the test knife. The blade shall be bent by force applied to the handle. A leverage device, such as a pipe may be used as long as it does not pose a safety risk. The use of such a device is at the sole risk of the applicant and at the discretion of the supervising Master Smith. The applicant will then bend the blade ninety (90) degrees. The supervising Master Smith will signal the applicant when the ninety (90) degree angle has been reached. The blade is allowed to crack at the edge on bending but not beyond approximately two thirds (2/3rds) the width of the blade. However, if any part of the blade chips or any part of the blade or tang breaks off, the applicant fails. Because of the many variables in the size, geometry, and temper line of the blade, the Master Smith using his/her judgment, shall determine if the extent or location of the fracture line is acceptable. The decision of the Master Smith is final.
...

So, in order, sever a free hanging 1" rope in one stroke, chop two 2x4's, and shave hair, all without "nicks, chips, flat spots, rolled edges, or other deformations", and no stropping or honing in between.

Certainly a knife has different requirements than a sword (swords don't have to shave hair, for one), as well as many people aim for how to create "the" piece to get them their status, and may not adhere to the standards once they have achieved it, but the intent is that *every* well made blade should be able to undergo this process and survive (the bending test being to the "extreme").

Okay, I can hear you, 'Yeah, but what does that *really* mean?' :)

Albion Arms has posted some photos and videos of their testing, and as you can see, it's pretty darn impressive what a well made blade can withstand, even a stock removal blade. For the record, I believe they're using 5160, but I could be wrong.

http://albion-swords.com/sword-testing.htm

http://albion-swords.com/images/video/dstruct-5-31-05.avi

http://albion-swords.com/images/video/tritoniatest.wmv

http://albion-swords.com/images/video/castellanpointtest.avi

At any rate, I just thought I'd share with you some performance expectations and limitations of a well-made blade, and hopefully help those new to this obsession separate the hype from the tripe.

Hope this helps,
Matthew

posted in Kendo, Iaido and all Sword Arts - 0 replies

anyone up for teaching in/near SB, CA? [for barter/trade]

dervishZ — Sun, 29 May 2005 19:33:46 GMT

i live in SB [santa barbara - ~1.5 hours NW of LA]

i do firedancing with staff, double staff, basic poi and am interested in at least a smidge of whatever else i can get my hands on...

ie- SWORD... and DOUBLE SWORD.
i would love to get an introduction to some basic movement... ideally some nice flowing katas that might let me keep my hair when the swords are flaming ... fluidity is my preference over aggro-manliness if that gives you any guidance[?]

i can provide a basic introduction to dealing with the fire aspects of firedancing... i can also provide massage in exchange for you you or a friend- i do a couple varieties of deep tissue work that can be highly useful to serious athletes/ martial artists... i also do a basic, semi-traditional yummy relaxing swedish... or a more intuitive, usually deeper "intuitive swedish"...

[i'm broke but i got skills to trade]
if you get into it i also make my own quality firestaves and have connections to make good fire poi as well.
~d

posted in Kendo, Iaido and all Sword Arts - 0 replies

Weekend of the Dusack

Tue, 17 May 2005 23:11:03 GMT

Letter Forwarded:

Weekend of the Dusack

When: June 4 and 5, 2005 -10:00AM-5:00PM
Where: Davenriche European Martial Artes School
650 Nuttman Street Ste.108, Santa Clara, CA 95054
Who: Jared Kirby and the German Dusack
Fee: $50.00 for the weekend if paid before May 15,
$60.00 if paid before May 25, and
$70.00 at the door

HISTORY: Originating in Germany, the dusack was created in the 16th century
as a training weapon for single edged swords, primarily the messer. It is a
short one handed weapon, designed principally for cutting. The dusack was
incorporated into the curriculum of 16th century German fencing and spread
even further in the 17th century, becoming a primary choice for many Germans
in tournaments and for sport.

WORKSHOP: This seminar will begin by covering the history of the dusack,
looking at the transition of training from messer to dusack as well as
examining the changes in the design of the dusack. Next, we will go into a
detailed look at the masters that incorporated the dusack in their
treatises. We will then learn the stance and how to hold the weapon,
followed by a comprehension of the body mechanics for the movement and
footwork of the dusack. We will start working on offensive actions by
studying the cuts in great detail before incorporating them into the theory
of dusack fencing by applying it in practical exercises.

Once there is a basic understanding of the strategy and theory, we will
study the guards and how use them in practical exercises to create an
opening. Finally we will learn disarms and grapples. The seminar will
culminate in the students getting an opportunity to use what they have
learned in supervised bouts.

The equipment need for the seminar will be a fencing jacket (or equivalent
protection), a fencing mask or helmet with face protection, heavy gloves
(welding gloves work well), forearm protection as well as elbow protection,
and groin/chest protection (male/female respectively). Some weapons will be
available, but participants are encouraged to bring their own. There are
several stores online that they are available from such as
http://www.newstirlingarms.com and
http://www.historicalfencing.org/Macdonaldarmory/forsale.htm

posted in Kendo, Iaido and all Sword Arts - 0 replies

Kendo In Las Vegas?

carlbridge — Fri, 04 Mar 2005 23:18:40 GMT

Osu! I may be spending some time in Las Vegas this year. I have searched th AUSKF site, but there are no affiliated dojos.
Does anyone know of a club in Vegas?

posted in Kendo, Iaido and all Sword Arts - 3 replies

I wanna spar some of you in LA/OC for the love of it~

Jeremiah — Mon, 09 May 2005 08:53:59 GMT

The thing I like about this tribe is that we know a little bit about the people who share our interests in sword arts. I mean site liek kendo-world have their own community but its geared towards the topics at hand and we dont know much else about their interests. Here we know people have more things going for them then jsut kendo or sword related passions. I like tribe, its agood community, and I'd like to spar with some of you kendoists on tribe in the LA/ OC area. I think most people who register on tribe are pretty interesting, so if anyone here want to get together and go from dojo to dojo and practice I think it might be fun. I think mostly non-asians join this tribe and most asian kendokas stick to sites like kendo-world. I personally enjoy peeking at the background of some of you folks here and I'd love to see some of you in the ...97% asian dojos in the LA/OC region. My Kumdo dojang is based in Fullerton, CA if anyone here on tribe ever visits LA or OC and want to practice with us during your visit let me know I'd be glad to have you come by.

~Adios,
and drop by anytime

Jeremiah Dove

posted in Kendo, Iaido and all Sword Arts - 0 replies

Workouts

niovgroyok — Sun, 03 Apr 2005 18:49:57 GMT

Help, I'm looking for training advice for when I move. I'm not going to be in an area with a dojo so I'm going to have to work with what I can gather up. Anybody have some interesting workouts I should try?

posted in Kendo, Iaido and all Sword Arts - 2 replies

New to Kendo

Sat, 09 Apr 2005 05:56:13 GMT

My son and I just started to learn kendo. We had our first class tonight. I took it for about two years in middle school. Since that was so long ago, I consider myself a beginner again. We will have a class once a week for the next eight weeks. I will keep everyone posted on our progress.

If there are any other beginners out there who want to tell us how there are doing, please do so.

Let's try to help each other out.

posted in Kendo, Iaido and all Sword Arts - 6 replies

Sword schools in Los Angeles

the_angelus — Thu, 21 Apr 2005 21:51:22 GMT

I would be interested in information on ANY sword art schools in Los Angeles. Asian, European or otherwise. Thanks!

posted in Kendo, Iaido and all Sword Arts - 4 replies

Cool website!

Psilli — Sun, 24 Apr 2005 00:34:28 GMT

Hi I'm sure a bunch of this tribes users know this website but I'm going o post it anyway....

nihonto.ca

super cool Iaido link...umic

posted in Kendo, Iaido and all Sword Arts - 0 replies

bokken care & feeding

qatana — Sat, 19 Feb 2005 23:16:29 GMT

My weapons bag has been living in my car for quite a while. Lately I've found out that A) my car has a leak; B) my weapons bag has gotten wet; therefore C) my bokken has gotten some mildew on it.
Fortunately its white oak so I could see it immediately, unfortunately its white oak, so it shows.
What do I do?

posted in Kendo, Iaido and all Sword Arts - 18 replies

Theatrical Combat Workshops in Los Angeles

Fri, 08 Apr 2005 21:30:18 GMT

Hi all,

Beverly Hills Theatrical Combat will be offering two new six-week
workshops starting Sunday April 17th. I hope to see several of you
there, and I hope you'll pass this info along to other people who
might be interested!

From 7-9 pm we will be offering a 6-week Introduction to Theatrical
Swordplay workshop, covering all of the basics for people new to
theatrical combat, or for people who have been away from the fun for
a while and need a refresher. We'll be looking at footwork,
bladework, parries, cuts, thrusts, slashes, and their application in
straightforward choreography.

Taking this class (or its equivalent) will be necessary before taking
part in all of the great advanced workshops we have planned,
including...

From 5 - 7 pm we will be offering our first in a series of Advanced
Combat Workshops. The six-week course beginning on April 17th is
called 12 Hours to Performance, and it's the combat version of `24'!
This class will take you through 12 hours of rehearsal time for a
swordfight on a film set, culminating in shooting the fight on the
last night. Twelve hours is actually more generous than a lot of
productions are, but if you get that long, you want to use it right.
Join us on our 12-hour tour...

Classes are taught by Terence Rotolo or myself. For those who don't
know us, our combined credits include Charlie's Angels, Master and
Commander, Warrior Queen, Power Rangers, ER, La Femme Musketeer and
many other projects.

Reservations are required, as class size is limited. The cost of each
workshop is $150 for the entire six weeks. This price includes club
fees for Beverly Hills Fencers' Club and all equipment needed.

Beverly Hills Fencers' Club <http://www.bhfencers.org/contact.cfm> is
located near the junction of La Cienega and Rodeo in Culver City.

You can reserve a space by writing to workshop@robertabrown.com or by
calling (818) 461-8159 or (310) 266-5151. Please make your
reservations by April 15th at the latest.

Hope to see you soon, and please do pass the information along!
All the best,

Roberta Brown
Director of Theatrical Combat
Beverly Hills Fencers' Club
http://www.bhfencers.org
http://www.robertabrown.com

posted in Kendo, Iaido and all Sword Arts - 0 replies

new here

Wed, 23 Mar 2005 15:52:05 GMT

Does anyone know a good place for Kendo in the center city Phila area?

posted in Kendo, Iaido and all Sword Arts - 3 replies

Portland OR sparring club meeting 3/18/05

fireninja — Thu, 17 Mar 2005 22:54:46 GMT

A number of seasoned sword artists from a variety of backgrounds have been meeting regularly for a couple of years in NW portland at Wallace park [around NW 25th and Pettygrove] for some good old fashioned freestyle sword sparring. Our next meeting is 3/18/05 @ 7:30PM.

We are playing fast medium contact with shinai and minimal protective gear [handwraps and protective goggles]. Not for beginners.

Bring your favorite shinai [or borrow one of our extras], whatever protective gear you feel necessary, and a good attitude.

posted in Kendo, Iaido and all Sword Arts - 0 replies

Tozando shipments

paola — Tue, 08 Mar 2005 07:54:00 GMT

I ordered my iaito at the beginning of November: estimated 8 weeks. I write to them at the beginning of January: estimated 3 to 4 months. It's the beginning of March: I know they're slow, but do I have to start worrying?

posted in Kendo, Iaido and all Sword Arts - 0 replies

Machete

jorga — Fri, 25 Feb 2005 18:44:46 GMT

Anyone know where I can get a decent machete in Los Angeles?

posted in Kendo, Iaido and all Sword Arts - 8 replies

training outside the dojo--iaido and kendo

Adel — Sat, 26 Feb 2005 08:04:30 GMT

I'll try not to make this a novel...

What is the type of mental/spiritual training I would be getting into if I decided to go for iaido or kendo? I ask this because of my experiences in aikido. I trained in Shin Shin Toitsu Aikido for a number of years, though I've since stopped that practice.

Basically I'm aware that getting involved in a Japanese sword art is likely to involve more than just physical exercise. It would also require a commitment to train full-time, not just within the dojo. When I was training aikido, it could have been just because I began in a children's class, but there were some rules like not cursing inside or outside of the dojo; not getting into fights; if you did get into a fight, not to use aikido...those are what stand out in my mind (I understand and assent to the last [though how do you separate aikido-mind from normal-mind?], the second was difficult to hold to in high school, the first I saw no reason for). When I got older and began researching buddhism I realized that the 'no cursing' rule was connected with 'Right Speech'. At the time I did not understand this, to put it mildly.

I'm not at the point where giving up control of parts of my own conduct is something that is...very appealing to me. I realize there is a status involved in training seriously in a martial art...it may have been something that was inducted into me, and it has been bothering me, the idea that in training and disciplining oneself, one becomes like a kind of plain-clothes officer (this is probably assisted by my sensei at the least appearing to be a monk--I never asked him, there was a sense of awe and fear involved, though I doubt he would have wanted the latter). Within me there is a tension between wanting to commit myself to a discipline and wanting to retain my individuality and full liberty. (Japanese mind and American mind? I mean that in the most respectful way possible.)

I also am uncertain about taking on aspects of a Buddhist mindset, as it's taken me a number of years to attempt to deprogram the belief I had that Buddhism was on some level more correct than the other ideologies I had coming at me. (and if Buddhism is more correct, this limits me in some ways, such as in cooking clams--not because I believe necessarily in abstract karma but because I feel it isn't right.) Because of the extent of and content of my training I still carry on a deep level a...way, or philosophy about life, trying to find the beam or current (as in stream) of my true self and to attempt to align myself with that in order to be most effective, present and powerful.

I don't want to give up that allegiance to my truth to follow a code someone else made up. That is, I don't know if I want to accept the discipline that reaches into areas of my life outside the dojo, even though I know that this is what will make me an excellent martial artist (and merit the status--or _identity_--thus conferred, even if only I know what it means).

There is a casting (or re-casting) of the self that takes place and I am not sure if I will be able to keep to that cast, to hold myself to it. Am I coming across clearly?

I suppose on a psychological level I'm wary of conventions because I've had possibilities in my life taken because of such...as I found myself to be transgender (though only realizing it in college) and somehow bi/pansexual. I had to break free from convention in order to come to some kind of peace about my gender identity and if I obeyed sexual convention as I tried to early on, I would miss out on opportunities for love (which does not hurt anyone). I'm still struggling with the last one, as I learned early on that the 'right' way to deal with my feelings was to be celibate, whether that helped me or not, and now it's a pattern. Trying to be "good" in that way has led to a lot of pain.

The gender issue and the sexuality issue together with high school being my world led to a kind of quiet rage, and I left my training last time because I felt there were parts of myself that I needed to know about that I couldn't explore without breaking the rules of my training. I was also frightened about gaining rank and with rank, the knowledge that it was *always* conditional. I thought I might get into (read: start) a fight, and I was afraid to do that and risk being kicked out of class, when, as I told Qatana, my sensei had become like a third parent to me. But I was always rougher on myself than he was on me. And I was afraid that I would do things I never did. And I was afraid he'd judge me because I wasn't old enough to know that he may have understood.

So there's my first question and a short explanatory bio. Sorry if it got depressing. :) I realize because of my pain, I may slip back easily into Buddhism...I don't know if that's something that I'd want; it'd entail a life change, like taking up a martial art seriously and excelling at it would entail a lifestyle change, and an identity shift. But together they would form an integral worldview, even if it came at the erasure of my current one.

So what are other people's thoughts on the mental and spiritual training in kendo and iaido?

(it became a novel anyway)
S.

posted in Kendo, Iaido and all Sword Arts - 2 replies

Selling an Iaito

nootrope — Thu, 06 Jan 2005 17:31:03 GMT

A tozando. The brown one here:
http://www.nootrope.net/ties.jpg

If you're in NYC and interested, please let me know.

It's a nice one.

posted in Kendo, Iaido and all Sword Arts - 3 replies

New Orleans

Henry — Sat, 06 Nov 2004 23:00:39 GMT

Are there any sword groups that anyone knows of in New Orleans?
I am getting ready to move there in three months and wanted to know.

posted in Kendo, Iaido and all Sword Arts - 2 replies

Hi guys and gals...

Wolfie — Sat, 01 Jan 2005 11:33:22 GMT

Thought I'd introduce myself, I'm Robert and train in Muso Jikiden Eishen Ryu under Sensei John Issac's (Ken Shin Kai dojo)...my Iaito is 2-6 shaku nagasa with an 11-5 sun tsuka, I havnt gone for any grading and wont till I feel I'm ready (but I still attend tai-kai's and seminars) but I love studying Japanese sword arts.

I havn't bought myself a Shinken yet but I'll probably get a semi-custom wave katana from Bugei...I'm very tall so I need a long tsuka and nagasa. Bugei IMO sell the best folded steel shinken for the price in the USA...

anyhoo I've seen alot of sword tribes but most are filled with people unwilling to learn...I'm new to JSA but been studying nihonto a few years.

posted in Kendo, Iaido and all Sword Arts - 3 replies

too late?

Tierney — Thu, 01 Jul 2004 06:12:44 GMT

I'm 20 years old, is it too late for me to start learning the art of swordplay? If not does anyone know of any classes in the San Diego area?

posted in Kendo, Iaido and all Sword Arts - 7 replies

Southwest Kansas??

Tue, 28 Dec 2004 01:53:53 GMT

Do any of you know of anyone teaching in the area?I know its a long shot but hears hoping.

posted in Kendo, Iaido and all Sword Arts - 0 replies

looking for practice supplies

Tamlin — Fri, 12 Nov 2004 18:21:57 GMT

I am looking for a place to buy supplies. Particulary a naginata shi-nai. Can anyone help me out I am in Sant Rosa California. I have heard of a place in Oakland but cant find it yet. Any help would be wonderful.

Thanks so much for any time you have spent on this.

Josh

posted in Kendo, Iaido and all Sword Arts - 10 replies

Survey: koryu

paola — Fri, 19 Nov 2004 12:06:24 GMT

A question for all (inspired by the last threads) -

who among you practises koryu disciplines?
And which in particular?
And where?

I guess it could be useful to have a sort of "practicing map" for these old schools, but I had the impression that in the States koryu often means "esoteric". Waitin' to be proved wrong! ;)

posted in Kendo, Iaido and all Sword Arts - 4 replies

Renaissance Fencing Camp: San Jose California

Wed, 01 Dec 2004 21:13:39 GMT

The following is from the Davenriche School, great instructors and well worth the money and time!

4th Annual Renaissance Fencing Camp
February 18-21, 2005
At Davenriche European Martial Artes School

Study techniques that were used from the Middle Ages through the Renaissance
for personal protection and survival. Classes include Long Sword, Rapier
and Dagger, Dusack and Side Sword. They will be taught by Steaphen Fick and
Jared Kirby.

Each day classes will go from 10 - 12pm with a one hour lunch break.
Classes will resume from 1 - 3pm. From 3 - 4pm we will have a demonstration
of different weapons and unarmed techniques by the instructors. This hour
will be demonstration and information only, open to the observation of
everyone on the site. From 4 - 5pm there will be a supervised open forum for
the students to ask questions and practice techniques learned during the
days class.

It is $150.00 for all four days if you sign up before February 10th, and
$175.00 if you sign up after February 10th. If you are not able to attend
the whole time, the cost per day will be $50.00.

For more information contact Steaphen Fick at davenriche@yahoo.com or go to
ww.knight2day.com

posted in Kendo, Iaido and all Sword Arts - 0 replies

Sacramento Swords

JohnV — Sat, 20 Nov 2004 18:13:34 GMT

I am interested in Western style technique. Is there any instruction reasonably close to the Sacramento area?

Tia.

SinJin

posted in Kendo, Iaido and all Sword Arts - 0 replies

Finally moved to SF, now looking for kendo/kenjutsu

stegaSAURON — Fri, 12 Nov 2004 06:18:06 GMT

Hi all -
After an arduous/thrilling drive across the continent, I'm installed in SF now! Kenjutsu was awesome for the first few months, ready to move to live blade from the bokken & ready to find good people to train with here. Thanks for the earlier rec's, will follow up on them. Any new suggestions are welcome.
Gracious greetin's,
Emily

posted in Kendo, Iaido and all Sword Arts - 1 reply

Shopping in NYC

paola — Sat, 09 Oct 2004 18:04:57 GMT

Hi all,

I'm searching for hints about good places to shop in NYC. I'm specifically looking for good iai obi, since the quality of those you find here in Italy is pretty poor (and then, hem, I'd rather take the temporary advantage of being an Euro-spender...)

Thanks in advance!

posted in Kendo, Iaido and all Sword Arts - 3 replies

Searching for an Iaido teacher near Downtown Seattle

martialzen — Fri, 29 Oct 2004 21:50:51 GMT

I used to study Iaido in Ashland OR. Though not super traditional, I really would like to keep up the practice (of some kind) not to mention my sword just sitting in the case not getting used at the moment.

Anyone out there able to recommend a place to study that is not to much of a drive from downtown seattle (as I work quite a bit and driving an hour or more to class is not an option, not if I want to remain married :)

Thanks in advance.

posted in Kendo, Iaido and all Sword Arts - 1 reply

my new pic

Ken — Wed, 03 Nov 2004 10:01:34 GMT

okay okay, so I'm not exactly doing any martial arts here. But reach my zen when riding my mountain bike so I took this picture of me in my special place... (spirtual and physical).

on page 5.

posted in Kendo, Iaido and all Sword Arts - 0 replies

name for a sword?

Eleven — Wed, 21 Apr 2004 20:09:29 GMT

I'm about to purchase a new iaito. It won't be anything super high tech or expensive, but it will be mine and as such it deserves some kind of unique moniker all it's own, I think.

So what should I name it?

There are some ground rules, of course. It must be a dragon / serpent name of some kind, or be cool sounding enough that it makes me wanna disregard my dragon / serpent motif. And it shouldn't be too aggresive sounding since we're talking about an iaito - cutting butter with it would be a stretch.

So whaddaya think?

posted in Kendo, Iaido and all Sword Arts - 18 replies

Fixed Karambit

Doctor_Who — Sun, 17 Oct 2004 04:57:36 GMT

I'm looking for a nice fixed blade karambit. I dont have the money to blow to have a nice custom one made and the only other blades i have been able to find are so cheap I would only use them for soft butter.

I'm not looking for a foldy or a aluminum training knife and reccomendations or websites would be greatly appreciated...I've spent many hours on the computer searching and I keep finding either cheapo blades or ultra-expensive custom rigs.

I actually use my blades but spending $350 on one is too rich for my blood. I practice a two handed technique so I would like to be able to buy a set at the same time.

posted in Kendo, Iaido and all Sword Arts - 0 replies

Need help ID'ing a style

Doctor_Who — Fri, 13 Feb 2004 21:17:13 GMT

What kind of sword fighting styles did they use in the making of "Crouching Tiger, Hidden Dragon"? Very nice moves. Your help is appreciated.

posted in Kendo, Iaido and all Sword Arts - 8 replies

Orange County

Michael — Sun, 10 Oct 2004 20:31:20 GMT

I am in Orange County, California and I am looking for a Dojo in which to study Japanese sword arts. Anyone know of such a place?

posted in Kendo, Iaido and all Sword Arts - 0 replies

Fighting in Calaveras

G. Allen — Fri, 10 Sep 2004 20:32:05 GMT

Hey folks,
My girl and I just moved into Arnold, here in Calaveras county, California. I'm looking around for any sword fighting. Anyone know of something nearby?

posted in Kendo, Iaido and all Sword Arts - 0 replies

Albion School of Defense

Wed, 01 Sep 2004 22:12:10 GMT

Albion Schoole classes
The Albion Schoole of Defense, www.albionschoole.com, located in El Cerrito, California, was established in 1986 by Michael Cawelti. The school specializes in the theatrical and martial applications of Renaissance and Medieval swordplay.

NEW BEGINNERS CLASS STARTS SEPT. 14th (3 months of weekly instruction for a flat fee of $150) Classes will be from 6:30-7:30 every Tuesday at the El Cerrito Veterans Hall, on Stockton Ave. of of San Pablo Ave, El Cerrito, CA.

Email us at info@albionschoole.com for more information.

posted in Kendo, Iaido and all Sword Arts - 0 replies

Cutlass Workshops in Los Angeles

Thu, 26 Aug 2004 20:13:31 GMT

The following may be of interest to some folks:

It looks like the Beverly Hills Fencers' Club is going to be a
wonderful space for future workshops. We were able to work with a good sized group, with air conditioning, good light, and, best of all, a familiar fencing environment. And, last but not least, we had no problem finding a place nearby to eat and drink afterwards!

So, without further ado, I would like to announce the next workshop. I have chosen weapons, length of workshop, etc. based upon the responses I got to the questionnaires I sent out several weeks ago. It sounds like cutlass is a popular weapon, and it is certainly topical again now, with the next round of "Pirates" on the horizon.

So, starting September 12, The cutlass workshop will meet from 7 - 9 pm on Sunday nights, I would like to announce a

Six-week Cutlass Workshop

I will ask anyone who wants to participate to commit to the entire six weeks, so that we get to move forward together as a group, The first week will start off with the basic techniques of the weapon, along with some historical context, and we will spend the following weeks working on some more advanced techniques for performance, as well as developing a piece of choreography which, by the end of six weeks, you should be able to do up to speed, right or left handed, from either side. In short, it will be a fight that you should be
able to perform under any circumstances. The last week, we will put this fight on film.

The cost of this nautical, swashbuckling extravaganza will be $130 for the entire 6 weeks. There will be a minimum and a maximum number of students, so I will need to have commitments from people by one week before (September 5th). I'm not asking for money to hold your place – just your word. As long as this system continues to work, I won't ask for deposits on the workshops, but I will need payments on the first night of class.

As always, weapons will be provided, though you are welcome to bring any (safe, theatrical) cutlass you may have.

Beginners will be welcome, and I will work hard to get people of similar levels working together to keep everyone challenged. So feel free to pass this along to anyone new you think might want to join in.

Hope to see you for some piratical cutlass-brandishing!
All the best,

Roberta

Westside Theatrical Fencing
http://www.robertabrown.com

posted in Kendo, Iaido and all Sword Arts - 0 replies

Can anyone give a Long Beach or area contact?

MidnightOrchid — Wed, 18 Aug 2004 23:50:24 GMT

Hi,

I'm a bif fanatsy /book reading Ren Fair fan.... Use to be a bigger fan in WA but here in S. CA I haven't had much luck with groups, It feels as though it's more of a snobby Southern Cali thing.... :(
Which is too bad because I genuinely want to learn sword fighting. The only school is 30 - 35 miles away from me and the other group uses duck tape swords....which in my mind I'm thinking why bother?

Can anyone give a Long Beach or area contact?

posted in Kendo, Iaido and all Sword Arts - 1 reply

To all Santa Cruz folk:

ZombieDuck — Tue, 03 Aug 2004 19:11:40 GMT

http://tinyurl.com/6ev5o

Haven't taken any classes from this guy, but I thought I would give a heads up just in case anyone is interested.

posted in Kendo, Iaido and all Sword Arts - 1 reply

You may congratulate me & SF question

stegaSAURON — Fri, 16 Jul 2004 16:58:04 GMT

Hi All - Remember back when I was asking about styles & finding an instructor? W'll, I have done it. Kenjutsu and Hanshi Jessie Bowen in Durham, NC. He's also a leadership trainer & giften entrepreneur so his business & charisma are pretty explosive. His class is fun & encouraging but disciplined & formal. And as for the sword style, kunjutsu turns out to be incredibly focusing and satisfying. YAY...

Now can someone help me find a kenjutsu instructor in SF or the East Bay for my Fall 2004 move there???

So many thanks,
Emily Grey

posted in Kendo, Iaido and all Sword Arts - 4 replies

Swordplay in NYC

chrish — Sat, 26 Jun 2004 02:36:04 GMT

I've just started taking courses in Tate at Fight House in NYC. Tate isn't, properly speaking, a martial art. It's a form of choreographed sword work that was developed for Kabuki theater. So far, that hasn't made it any less challenging or enjoyable. I do feel slightly out of place because I'm significantly less athletic than the other folks in my class, but I'm working on it. My main challenge at this point is to keep my legs spread and my waist turned forwards while I'm advancing. I think one of the odd things about this is that when I did European-style fencing back in junior high, the master would complain about my tendency to turn my torso *towards* my opponent, the exact opposite of what I'm doing now.

I came to this by looking for kendo/iaido lessons, and I am definitely still interested in doing more non-choreographed work. Does anyone know of any reasonably-priced Kendo or Iaido classes in the NYC area?

posted in Kendo, Iaido and all Sword Arts - 1 reply

Another sword tribe

Neil — Thu, 12 Feb 2004 21:56:27 GMT

Check these guys out too!

sworddisciples.tribe.net

posted in Kendo, Iaido and all Sword Arts - 3 replies

Sword Dancing

FyreChyld — Thu, 22 Apr 2004 23:13:39 GMT

Calling all Sword Dancers & Fire Sword Dancers!
For those who love Sword Play & Fire. Thanks to the Pismo Burn, I'm going to add Fire to my Sword Dancing. Anyway, if you into Fire Swords come join & come share your knowledge with aspiring Fire Sword Dancers (like me *G*).
P.S. I been Sword dancing most of my life. Fire seems like a approperiate next step.
http://theflamingsword.tribe.net/
~Gypsy

posted in Kendo, Iaido and all Sword Arts - 0 replies

sword art

Mandeep — Fri, 16 Apr 2004 13:08:23 GMT

What sword art is dangerest in the world?

posted in Kendo, Iaido and all Sword Arts - 9 replies

sword arts general question

stegaSAURON — Wed, 17 Dec 2003 22:24:01 GMT

Hi All --

2 questions - How do we feel about Kill Bill from a sword standpoint - is there anything authentic about the work in this movie or is it just quentin's highly stylized hollywood take on the katana?

and can you folks help me out with an overview of asian sword arts? which martial arts do swords come into? are certain styles or traditions affiliated with certain philosophies of combat? are there clear differences in fighting style & aesthetic?

i'm drawn to the sword but don't know much & want to gather info while i'm searching for a teacher.

thanks much...

Emily

posted in Kendo, Iaido and all Sword Arts - 9 replies

blades

Mandeep — Wed, 07 Apr 2004 13:57:40 GMT

What kind of blades of swords cause most damage?

posted in Kendo, Iaido and all Sword Arts - 7 replies

Pix

nootrope — Mon, 16 Feb 2004 03:12:40 GMT

I added a few.

posted in Kendo, Iaido and all Sword Arts - 2 replies

Sanjuro

nootrope — Tue, 13 Jan 2004 01:52:22 GMT

http://www.nootrope.net/sanjuro.html

posted in Kendo, Iaido and all Sword Arts - 1 reply

References

Neil — Wed, 11 Feb 2004 21:40:46 GMT

Here's a list of books for those getting started. These are all on my bookshelf and all ones I'd recommend. Exclusion from this list doesn't necessarily imply I've not read it or don't like it. I've kept it simple as to not overwhelm beginners. Please feel free to add your own.

SAMURAI

Bushido: The Soul of Japan by Inazo Nitobe

Code of the Samurai (Budo Shoshinshu) by Thomas Cleary

Hagakure by Yamamoto Tsunetomo, William Scott Wilson, translator

REFERENCE

Classical Bujutsu
Classical Budo
Modern Budo and Bujutsu, all three by Donn Draeger

Legacies of the Sword by Karl Friday

The Chrysanthemum and the Sword by Ruth Benedict

The History of Japan, vol.1-3 by George Sansom

The Samurai Sword by John M. Yumoto

BIOGRAPHY AND PHILOSOPHY

Sword of No Sword by John Stevens

The Book of Five Rings by Miyamoto Musashi, Thomas Cleary, translator—also, the edition by Nihon Services Company and William Scott Wilson

The Father of Judo by Brian Watson

The Unfettered Mind by Takuan Soho, William Scott Wilson, translator

Way of the Sword by Reinhard Kammer

Zen Training by Katsuki Sekida

AIKIDO

Aikido by Nick Lowry

Aikido: Tradition and the Competitive Edge by Fumiaki Shishida, Tetsuro Nariyama

Budo: Teachings of the Founder of Aikido by Morihei Ueshiba, John Stevens, translator

KENDO AND KENJUTSU

Kendo by Hiroshi Ozawa

Looking at a Far Mountain by Paul Budden

Shinkage-ryu Sword Techniques, Vols. 1&2 by Tadashige Watanabe

This is Kendo by Junzo Sasamori and Gordon Warner

IAIDO

Iaido by William deLange

Japanese Swordsmanship by Donn Draeger and Gordon Warner

The Art of Japanese Swordsmanship by Nicholas Suino

KYUDO (Archery)

Kyudo by Hideharu Onuma and Jackie & Dan DeProspero

Kyudo: The Way of the Bow by Feliks Hoff

posted in Kendo, Iaido and all Sword Arts - 3 replies

Favourite Books

Sat, 07 Feb 2004 15:52:50 GMT

What are your favourite books about martial arts? I'm not asking about novels, though maybe somebody knows a good one, I'm open for recommndations.

Here's my list:

"Gorin-No Sho" by Miyamoto Musashi: I guess it's not a suprise. Not only is it great for knowing martial art, but author's style is appeals to me very much - so simple and yet beautiful.

"Kendo, The Definitive Guide" by Hiroshi Ozawa: I don't practice kendo, only iaido, but I loved it. Beside telling tyros "how not to trip over their own feet" it is useful even for more experinced people. I think it is very valuable as a guide for people who want to teach - it shows how to be a good teacher.

"Polskie sztuki walki" by Wojciech Zablocki: The title is in Polish and means "Polish martial arts". It covers two handed sword and Polish sabre (a beautiful weapon, but my opinion is probably biased, because I'm Polish... ;) It's written in a form of dialogue between the master and his student.

Well, that's it. I recently got myself a copy of "Heiho Kadensho" by Munenori Yagyu, but haven't got the time to read it yet. I have a strange feeling that it will find its place on the list.

posted in Kendo, Iaido and all Sword Arts - 2 replies